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Exploring the lives and ideas of John Ruskin and William Morris, two prominent intellectual figures of the Victorian era, including their critiques of industrialisation and mass production, as well as their mutual admiration for the medieval age, and examining how all of these factors contributed to the establishment of the Arts and Crafts Movement in the nineteenth century.
Chapters:
0:00 Introduction
1:08 John Ruskin
2:06 John Ruskin – The Stones of Venice
6:36 John Ruskin – Unto This Last
9:15 William Morris
11:33 The Red House
12:48 Morris & Co
14:52 Morris’s Shift Towards Socialism Video Rating: / 5
Discover the origins and aims of the Arts and Crafts movement through objects from the William Morris Gallery’s collection.
Why did William Morris dye his hands blue? William Morris Gallery senior curator Roisin Inglesby explains why Morris preferred the traditional method of block printing to create his famous patterns. Discover why Morris hated the separation between design and manufacture – and see one of the 400 original woodblocks in our collection. Video Rating: / 5
The Museum of the American Arts and Crafts Movement Video Rating: / 5
Discover the origins and aims of the Arts and Crafts movement through objects from the William Morris Gallery’s collection.
Where did William Morris and his contemporaries get their inspiration? Often they looked to the natural world. Learn how the artists and designers of the Arts and Crafts movement took inspiration from nature—and discover the creative process behind William De Morgan’s stunning eagle and snake lustreware plate. Video Rating: / 5
Have nothing in your house that you do not know to be useful, or believe to be beautiful.
— William Morris
The Industrial Revolution of the nineteenth century transformed England beyond recognition, turning a country of farmers into factory workers. It was a world ‘which saw the rich getting richer and the poor getting very much poorer’. The artist, designer and political radical, William Morris, brought together a group of colleagues to challenge the ‘dishonest’ mechanisation of factory goods and restore the importance of craftsmanship, quality and ‘truthfulness’ through design.
Art historian Abigail Harrison-Moore visits the National Trust’s Standen house, one of the most charming examples of Arts and Crafts workmanship in the UK, and explores its surprisingly pioneering spirit – from the use of electric lighting to its role in the Suffragette movement.
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A short intro to Kelmscott House, home to William Morris and Jane Morris, founders of the Arts & Crafts movement of artists and designers.
The William Morris Society’s exhibition ‘The Dear Warp & Weft at Hammersmith: A History of Kelmscott House’ explores the creative history of Kelmscott House in Hammersmith London, famously home to Arts & Crafts designers William Morris and Jane Morris, and their daughters Jenny Morris and May Morris. To coincide with the exhibition I’ve given a short intro to the history of the House talking about its creative community of visitors including Pre-Raphaelite artists and its many inhabitants, plus a Q&A with the William Morris Society Curator Helen Elletson.
Many thanks to the William Morris Society and Helen for sharing insights and showing me around this beautiful house!
For more info about the house and exhibitions visit https://williammorrissociety.org Video Rating: / 5
